Guitar Pedals & Effects

The Laney Digbeth DB-PRE is designed to give you the freedom to take your bass sound with you anywhere you go. Featuring both FET & TUBE signal paths and with incredible tone shaping capabilities, the DB-PRE is loaded with comprehensive ins/outs allowing it to be your main standalone bass tone as well as part of any existing bass rig. Perfect for the versatile bass player who wants total control over their sound. Tilt is a dynamic, powerful SEE SAW EQ control. This control has a central neutral position. Turning the control clockwise increases the overall mid to high frequencies and decreases the lows thereby giving your sound more presence, which can be useful for cutting through live band situations. Turning the control anti clockwise reduces the overall mid to high frequencies and increases the lows making your overall sound rounder.

Get yourself 13 hours of stereo recording time and a pristine sound with the BOSS RC-500 Loop Station, a looper pedal for electric guitarists and vocalists. Loop vocal parts and guitar parts for all your improvisations or songs. They'll be replayed in stellar sound quality, thanks to the 32-Bit AD/DA engine and 32-Bit onboard DSP. The pedal supplies 16 built-in rhythm its with 57 patterns, and 2 variations per pattern. This lets you use the pedal to create your own one-person band. You can apply effects to the loops for experimental, esoteric purposes, and you can add reverb to the rhythm parts. Store any pattern you like into a memory slot; you'll have 99 in total. The RC-500 has an XLR input for microphones. Use it to power condenser mics with phantom power if you so choose. You'll also find a stereo 1/4" path for instruments, as well as a control/expression jack and MIDI I/O over 3.5mm connections. Power the unit off alkaline batteries, or pick up a separately available AC adapter to run the RC-500 right off your pedalboard's power supply.

The GE-7 7-Band Graphic Equalizer from BOSS gives you precise control over your sound, coupled with the convenience and accessibility of a compact pedal. Seven frequency bands, from 100 to 6400 Hz, are controlled by seven mini-faders, each of which can boost or cut the corresponding frequency by up to 15 dB. The pedal can be used to dial in brighter, more biting tones for cutting leads, or to control feedback by bringing down problematic frequencies.

This compact, true-bypass boost pedal is built to the specs of legendary Black Sabbath guitarist Tony Iommi. With mono/stereo output, versatile EQ controls, battery-optional power and more, this secret weapon will let you tear a hole in the sky.