DJ Equipment

With an amazingly fast response time of less than 0.2 seconds, the Behringer FBQ1000 Feedback Destroyer & Parametric EQ can either knock-out feedback with one quick punch or use its parametric EQ to fine-tune your live sound with finesse and sophistication. This sophisticated feedback killer is especially ideal if you play live with in-ear monitors, since it will protect your ears from any hearing damage that would otherwise be caused by a feedback bomb. The FBQ1000 works by using an incredibly fast feedback detection algorithm. It automatically locates up to 12 feedback frequencies per channel. Once intelligently identified, the FBQ1000 slips in ultra-thin FBQ notch filters to counteract the feedback frequencies. Some of these filters are as narrow as 1/60th of an octave. This leaves the rest of the frequencies virtually untouched and unaffected. The FBQ1000 comes equipped with a parametric EQ, as well as several different modes. You can use the Set-and-Forget Mode, which is the default setting and is designed to automatically get your Feedback Destroyer up and running in seconds. There's also an Auto Mode that continuously monitors the mix for feedback frequencies. This mode allows the device to reset programmed filters automatically as hints of feedback are developing at other frequencies. Plus, you can just relax and play, talk or jam freely. For a more involved and specialized approach, the FBQ1000 has a Manual Mode as well. This mode lets you program up to 24 fully parametric filters to optimize your sound to the room's acoustics. For enhanced control, each FBQ filter features frequency, bandwidth and gain controls.  

The SHARK FBQ100 Automatic Feedback Destroyer from Behringer is a compact device that eliminates feedback and provides other versatile features in an easy-to-use design. Ideal for PA applications, the unit has an intelligent "learn mode" that can automatically equalize your PA and protect your system from feedback. The search algorithm uses narrow FBQ filters that can destroy up to 8 feedback frequencies while maintaining sonic integrity. The SHARK FBQ100 also has an integrated mic preamplifier with 48V phantom power for use with condenser mics. The balanced XLR and 1/4" inputs can accept mic and line signals with full gain control. There are also balanced XLR and 1/4" outputs for wide system compatibility. A delay line offers up to 2.5 seconds of adjustable delay, while a noise gate offers automatic and manual parameter settings. There is an automatic compressor with variable density, as well as a subsonic filter with an adjustable cut-off frequency.

The ULTRACURVE PRO DEQ2496 is a high-precision, 24-bit/96kHz digital equalizer/RTA mastering processor with four concurrently selectable EQ modules, ideal for audiophile mastering and PA purposes. The unit provides a thirty-one band graphic EQ, ten-band parametric EQ, a Feedback Destroyer section and three dynamic EQs per channel. An additional sixty-one band RTA (Real Time Analyzer) can be run simultaneously with the EQ section and has a separate microphone/line input with phantom power. There are multi-functional level meters plus sixty-four user memories for complete setups and/or individual module configurations. MIDI connections provide for full remote control, preset dumps and system updates.  

The ULTRAGRAPH DIGITAL DEQ1024 from Behringer is an high-resolution, digital stereo 31-band equalizer and feedback destroyer and combines digital performance with straightforward and intuitive analog-like operation. The EQ section features three selectable operating ranges and high-quality illuminated 45-mm faders. The switchable TRUE CURVE function precisely translates fader positions into an exact visual representation of the unit's frequency response. In addition, the DEQ1024 features sweepable low cut and high cut filters, an "inaudible" Noise Gate/Peak Limiter and Pink Noise generator, plus a stereo imager that provides spatial enhancement and improved stereo imaging.