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Laney CUB-SUPER12 CUB Series 15W 1×12″ Tube Guitar Combo Amplifier
1,779.75 AEDThe Laney CUB-SUPER12 is a great sounding boutique style all-tube amp. Featuring an ergonomic, straight ahead single channel, with three band EQ plus a dynamic, footswitchable BOOST function. The CUB-SUPER12 features a footswitchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom SECRETPATH pedal. Loaded with a custom designed and voiced HH 12" driver the CUB-SUPER12 delivers 15 watts of pure CLASS AB tube and features the ability to be run at <1 Watt by plugging into the <1 Watt input. The CUB-SUPER12 is loaded with 3 hand selected 12AX7 tubes in the preamp and a pair of EL84 output tubes in the output section. The CUB-SUPER12 is loaded with an insert style FX loop and external speaker socket. -
Laney CUB-SUPERTOP CUB Series 15W Tube Guitar Amp Head
1,554.00 AEDThe Laney Cub-Supertop 15W tube guitar amp head offers boutique style, an ergonomic, straight-ahead single channel, with three band EQ plus a dynamic, foot switchable Boost function and more. The Cub-Supertop also features a foot-switchable on-board reverb powered by the highly acclaimed spring reverb algorithm from the Black Country Custom Secret Path pedal.
The Cub-Supertop delivers 15 watts of pure CLASS AB tube in a compact portable head and features the ability to be run at 1W by plugging into the 1 Watt input. The Cub-Supertop is loaded with a pair of hand-selected 12AX7 tubes in the preamp and a pair of EL84 output tubes in the output section.
A Class AB power section is based on the notion that music is a waveform and linear in nature - i.e. you only get a +ve section followed by a -ve section, you never get a +ve & -ve occurring at the same time. In a Class AB amplifier, the input signal is split into the +ve and the -ve sides of the waveform and each respective part is sent to a separate tube or tubes and amplified accordingly
Allows you to drive the output stage of the amplifier harder at reduced output levels should you need to use the unit in situations where full volume is not appropriate.
On-board studio quality reverb. Reverb gives you a sense of the space that you are in. A dry guitar signal can sound a little dull. Adding the right about of reverb provides the guitar signal with ambience and brings it to life.
FX loops are important as they allow you to add effects to the signal path in a specific place between the pre-amp and the output section on an amplifier. This is where FX loops are important as it allows you to put time-based FX after the distorted pre-amp section. For example, delayed distortion sounds different to distorted delay - try it.
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Laney BCC-TCF The Custard Factory Bass Compressor Effect Pedal
414.75 AEDThe Custard Factory is a studio-quality, triple-mode, Bass compressor pedal; In a user-friendly format. Lovingly handcrafted in our UK workshop, in the heart of England. Designed to be transparent, simple to use and deliver a consistent musical sound without impairing any of the fundamental tonal quality of your instrument. The Custard Factory is perfect for giving you the exact compression you’re looking for whatever your bass tone.
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Laney BCC-BLACKHEATH Black Country Customs Bass Distortion Effect Pedal
414.75 AEDThe BLACKHEATH is a handcrafted, triple-mode, bass distortion pedal dedicated to giving the bass player all the tonal distortion they are looking for in a single pedal. Featuring 2 different modes of Distortion and an Overdrive, the Blackheath delivers the classic distortion you want, from aggressive distortion through tube-like distortion, to subtle distortions that add character to clean sounds. -
Laney BCC-SECRETPATH Black Country Customs Reverb Pedal
535.50 AEDBCC Secret Path Reverb is a boutique pedal from Laney filled with lush spring and reverb sounds mixed with contemporary reliability. -
Laney BCC-MONOLITH Black Country Customs Distortion Pedal
414.75 AEDDesigned to give the player a total command and control over a spectrum of different gains and harmonic distortions from Classic fat rock tones to jangly indie lines, and everything in between. The MONOLITH delivers expressive gain even at low levels. With a very pleasing dynamic response to pick attack the harder you dig, the more expressive it gets. Even at high gain level, when you hit it hard you can still hear every note of big chords as well as the nuances of intricate lead lines. -
Laney BCC-STEELPARK Black Country Customs Boost Pedal
414.75 AEDA versatile Boost pedal with masses of headroom designed to help you push your amp harder and cut through any mix. Ideal for stacking either before or after other gain pedals on your board. Tri coloured LED’s are more expensive than regular single colour LED’s, but we feel they are worth the investment. Where you have a pedal that has multiple modes on a dark stage a tri colour LED gives you a clear visual reference to which mode your pedal is running in. It is important that when you activate an effect there is no switching noise. So, we take great care in designing a switching system that is totally silent in operation. The only thing you should here is a great sounding product. -
Laney Guitar Combo Amp VC30212 30W 2×12″ Tube with Reverb
2,677.50 AEDDelivering what feels like a living, breathing tone, the VC30 is 12"custom designed dynamic amp. The single channel has Hi and Lo inputs, footswitchable gain stages with own level control, 3-band EQ, and a bright switch. Also includes reverb, effects loop, and a footswitch. The VC30-212 is a very dynamic amp and can be easily controlled by the pressure of your pick on the strings and many tones can be found between one and ten on your guitar's volume knob. From a chiming bright clean sound to the vintage caress of the creamy overdrive, whether it is single coils or hum buckers, the VC30 delivers. The VC’s clean channel is immediately impressive and lives up to its name remaining clean almost all the way to the maximum volume, when it begins to break up in the perfect pleasant way you only get from pushing an EL84 hard. Drive-wise the VC range has its roots in the bluesy side of things, but push the front end of the amp a little harder with a pedal and the gain really sings. -
Laney Boost Pedal TI BOOST with True Bypass and EQ Controls
472.50 AEDThis compact, true-bypass boost pedal is built to the specs of legendary Black Sabbath guitarist Tony Iommi. With mono/stereo output, versatile EQ controls, battery-optional power and more, this secret weapon will let you tear a hole in the sky. -
Laney Guitar Speaker Cabinet TI412S 4×12″ 120W RMS with Celestion G12H
4,016.25 AEDThe Laney TI412 4x12i speaker cab is voiced to match Tonys signature TI100 head _ a lethal combination, summed from the depths, specifically made to blow minds and melt faces. -
Laney TI15112 15W Tube Amp 12″ Speaker Iommi Signature
1,642.20 AEDTony's backstage amp, the Laney TI15-112 takes all the raw power and tone of the TI100's high gain channel and crams it into a compact single channel all tube amp. Utilizing Laney's unique dual wattage input option means you can push the EL84 output section hard and get 15 watts rms of full on tone or plug into the less than 1 watt and get exactly that -- your same great tone but at less than 1 watt.The TI15-112 also features the cool flexibility of being able to record both silently, for late night recording sessions or in live situations via the SPEAKER EMULATED RECORD OUT feature on the rear panel. -
Laney Guitar Amplifier Head TI100 100W RMS 2-Channel for Metal Tone
4,998.00 AEDThe TI100 was born out of an exhaustive period of product development, hand in hand with Iommi at every stage, assessing and refining his sonic needs. The TI100 amp represents a significant advance in Ionni's sonic identity whilst still retaining the aggressive tone that he is renowned for.The TI100 delivers 100 Watts RMS of full on metal guitar tone in a twin channel format. Each of the TI100s channels features a footswitchable Pre Boost which sits right at the front of the pre amp and functions in the same way as your favorite boost pedal on your pedal board works it does not increase the gain but boosts the signal hitting the first pre amp tube.The two channels on the TI100 are basically the same channels with no sonic difference between them. They have been labelled up as Rhythm and Lead purely for convenience. You can decide on the configuration of each channel.Each channel has independent Pre -Boost and Drive controls along with dedicated 3 band EQ a channel volume, an Enhance co.